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When I was a child, I remember sitting on the sofa with my mother to watch Chef Sanjeev Kapoor’s ‘Khana Khazana’. Mamu used to be armed with a pad and a pen (which had a bright blue cap that I found fascinating for some reason) and she would diligently write down the recipes as Kapoor guided her (among thousands of other viewers) through them.

This ritual wasn’t just limited to my house. Many of my friends too were going through the same routine at home, with their mothers. Sanjeev Kapoor was a household name and the delicious dishes our mothers whipped up at parties and get-togethers were often attributed to him. Mamu had a famous stuffed veggies recipe that our relatives had come to anticipate whenever we had them over for dinner (which was quite frequently back then as my dad loved hosting). She got the recipe from Kapoor’s famous show but it had taken her a while to master it (with some tweaks) so she didn’t hesitate to claim it as her own. 

Many of the dishes my mother made came from a thick black leather bound notebook, the pages of which were filled with recipes from ‘Khana Khazana’. I sometimes wish we had had the foresight to save that diary but it got lost as we moved homes. Back then, once my mother had memorized the recipes I guess we didn’t consider it as invaluable as I have come to think of it now.

Spoilt for choice

The good thing now is that everything that was once on that food journal of sorts can be found online. Though Sanjeev Kapoor will always be mamu’s favorite chef, there are many great chefs who share their wonderful creations freely with others on social media. Chefs like Vikas Khanna, Ranveer Brar, and Kunal Kapoor among others share many recipes that appeal to our Nepali palate. 

Food content creators on Instagram, Tiktok, and Facebook also provide simple recipes for daily, wholesome meals. You no longer need to sit in front of the television, at a scheduled hour, to learn how to cook. Mamu thinks it’s a miracle and often wonders why people my age and younger don’t take advantage of this and still prefer to eat out. However, things have changed after Covid-19. Though there are many restaurants opening up, people also love to cook and host at home. And the wealth of information we have available online has made great dinner parties possible. 

Over the past few years, I have been diligently collecting recipes from YouTube channels of Indian Chefs as well as saving reels of simple recipes on Instagram. My best friend shared a really long google docs full of recipes from all over the world and I was inspired to do the same. However, while food content creator’s recipes are fun and easy to replicate, the charm of learning from the top chefs is entirely different.

Learning from the pros

My first stint with online cooking lessons began with Ranveer Brar’s YouTube channel. His engaging banter makes learning to cook fun and less like a chore. I started watching them during the pandemic lockdowns and I became quite a pro in the kitchen, if I might say so myself. The thing with learning from the top chefs is that they inevitably teach you to be a good cook by arming you with skills that quick recipes never provide. For example, Brar taught me that cooking with coriander stems brings out its flavor while the leaves are used for garnishing purposes. 

He said if you put coriander leaves in curry while it's cooking, the flavor gets lost in it. Whereas if you add the stem part, it cooks with the curry and gives a nice taste and aroma. I didn’t know that and all these years, I had been recklessly adding whole coriander to curries. 

Chefs like Brar might seem intimidating at first. After all, they do everything so effortlessly. But overtime, you will come to emulate their techniques and understand your spices and other ingredients. I like how Brar keeps things simple. He never tells you that you need a specific ingredient to make something. He gives you alternatives. I mean, you can’t do without ‘imli’ to make ‘sambar’ but besides the absolute essentials, everything can be substituted with something else or simply not used. Great cooks give you that flexibility.

Making learning fun

I must confess that I never thought cooking could be fun. I thought of it as a mindless chore. My favorite line while growing up used to be, “Why cook for two hours for a meal you will finish in 20 minutes?” Mamu always said she enjoyed cooking because it calmed her. It was meditative. I never understood that until a few years ago. I remember Sanjeev Kapoor made cooking feel like a fun activity on his show. He enjoyed it and he wanted others to enjoy it too. It’s the same with Brar. He cooks at such a leisurely pace and his body language is so relaxed and comfortable that it makes you want to do the same when you are in the kitchen. Over time, watching him take his time in the kitchen, I too have started taking things slow. Now I don’t rush through the washing and chopping, choosing instead to savor the process and feel the different textures. The beauty of turning to the pros and not looking for shortcuts is that they really teach you that cooking can be a mindful act—something that you can enjoy and use as a relaxation technique.

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Top favorite chefs

I have mentioned Ranveer Brar repeatedly so I’m going to skip him here. But these are my other three favorite chefs who I think can  teach even the most uninitiated some really cool cooking basics and tricks.

Kunal Kapoor

If you want to learn how to make amazing kebabs and curries, look no further. His is the only YouTube channel you will need. Apart from that, he also teaches you to whip up some unique chutneys and drinks.

Shirpa Khanna

Best known for winning the MasterChef India title when she was just 29, Shripa Khanna’s YouTube channel is an eclectic mix of mouthwatering recipes. If you want to learn to cook different kinds of Indian dishes, this can help.

Harpal Singh

He is an Indian chef and restaurateur. His YouTube channel is a fun one with recipes you are not likely to hear of elsewhere. One of my favorites is the ‘Spinach Corn Potato Boats’ that is easy to make, filling, and nutritious.

Dolly Alderton’s books, I think, come badly packaged. The publisher should really rethink the cover design. They are confusing and all over the place. Your eyes hover over the covers without taking much in. I wouldn’t have bought her books had I not read a few of her interviews—one on Elle magazine and another in British GQ—where she talks candidly about why she writes the kinds of stories that she does. I loved reading her interviews because she talks passionately about writing and life.

I read ‘Good Material’ a while back and enjoyed it. About a guy going through a breakup and trying to come to terms with it, Good Material was an interesting take on relationships and how different people view them differently. It was a little slow at times but Alderton’s writing was refreshing and honest and I really enjoyed the book. I had heard her debut novel ‘Ghosts’ was much better than Good Material and though I had seen the book at a few bookstores in town, I had been put off by its silly cover. I know I’m harping about the cover and they say you shouldn’t judge a book by its cover but with colorful patches and loud proclamations, it’s quite off-putting.

Alderton is a columnist for The Sunday Times and the author of the hugely popular memoir ‘Everything I Know About Love’ which won a National Book Awards (United Kingdom) in 2018. Many of my friends rave about the memoir but I haven’t found the book. I was actually looking for it when I came across Ghosts again and decided to give it a chance (despite the unappealing cover).

Ghosts is a bittersweet and sarcastic book about navigating single life in your 30s. Nina is in her 30s and all her friends are married and having babies. She, on the other hand, has recently broken up with her long time boyfriend. And he is getting engaged to this other girl he has only recently met. Then, she meets someone and they click. Everything looks perfect until he ghosts her, leaving her wondering just what went wrong. Aside from the romantic drama, Nina is also dealing with a difficult career, dwindling friendships, and worse, her beloved dad is slowly losing his memory while her mother seems to be having a mid-life crisis of sorts.

If you feel that’s a bit too much to be happening all at once, if you actually think about it life can sometimes unravel like that. It’s never a linear path, with one singular problem at a time. That is why Ghosts feels so relatable. Nina is not without flaws and you might even identify with one of her friends, depending on what’s going on in your life. The writing is smooth and flows with ease—you feel like a friend is talking to you, taking you through her life.

The book makes you smile, simmer in anger, and upsets you. But as it takes you through a rollercoaster of emotions, you feel better about life in general and more capable of handling whatever comes your way. It left me with an empowering ‘life’s like that’ attitude. I have to admit that it was hard to read at times because of the content but it’s definitely one of the best books I’ve read in a long time.

Fiction 

Ghosts

Dolly Alderton

Published: 2020

Publisher: Penguin Random House UK

Pages: 337, Paperback 

I believe it’s important to read books with strong women characters for several reasons. This is true for both readers who identify as women as well as everyone else. I especially enjoy books with women protagonists as I think they tap more into varied human emotions as compared to books with male protagonists. 

Women have often been underrepresented in literature. Their struggles and achievements aren’t often spoken about or celebrated. But things have slowly been changing with more writers focusing on telling stories with women in the lead. In the past few years, I have read some great stories of inspiring women, both fictitious and real, and they have opened me up to a world of experiences that I would probably not have been privy to.

Books like ‘Where the Crawdads Sing’ by Delia Owens showed me the power of resilience in women who seem silent and are sidelined. It made me think of my mother who doesn’t usually say much but manages to hold her ground with such astounding dignity in times of stress. ‘Erotic Stories for Punjabi Widows’ by Balli Kaur Jaswal made me realize that women often have complex needs that they are generally hesitant to discuss. There have been many more such amazing works that have made me look at women and their lives in a completely different light. Here are three of my favorites. 

My Year of Rest and Relaxation by Ottessa Moshfegh

This is Ottessa Moshfegh’s second novel. It’s a story of a young girl who starts relying on prescription drugs in order to sleep for an entire year. The protagonist is a young unnamed woman in New York. She has a lot of problems, and childhood trauma to deal with. Her father ignored her, and her mother was a drunk who used Valium to pacify her. She doesn’t like her best friend, Reva, and she has always felt used by her boyfriend, Trevor. She is not with him anymore but she can’t stop obsessing over him. She decides to take a year off and recover—by taking as many drugs as possible and sleeping for days on end. She believes it’s just the way to fix herself. Moshfegh writes characters who are repulsive but by doing that she exposes people’s vulnerable sides. ‘My Year of Rest and Relaxation’ is seeped in dark humor and evokes empathy for those you might not necessarily understand. 

The Giver of Stars by Jojo Moyes

This is one of my favorite books. It’s such a heartwarming story. It will make you laugh and it will make you cry. And you will be recommending it to everyone you know. Set in small-town 1930’s Kentucky, the book is based on the real-life Pack Horse Librarians of Kentucky, or the Horseback Librarian program as it was called then. The program delivered books as part of Eleanor Roosevelt’s traveling library and ran from 1935 to 1943, making books accessible to over 100,000 rural inhabitants. I love historical fiction and this is probably one of the best I’ve read in the genre. There is drama, conflict, romance, and friendship in this brilliant story that makes you realize the power books and stories have to bring people together. 

Circe by Madeline Miller

Circe came out in 2018 and tells the story of the daughter of Helios, the god of the sun, in a different light. In Miller’s version of Greek mythology, Circe isn’t just a figure with uncertain powers or a witch. The first-person narrative format that Miller has decided to stick to in this book to give Circe a powerful voice, allowing her to tell her own story. Circe, according to the mythology, is the least liked by Helios. She is mocked and eventually even exiled for her use of witchcraft to turn Scylla into a nymph. We see her as a villain of sorts. But in ‘Circe’ we get to hear her side of the story. I loved the book as Circe is such a strong character. She is fierce but not without fears. She is bold but she has her weaknesses. It’s such a lovely depiction of a woman who can be many things at once. 

Every reader has a list of favorite books. The list keeps changing as our reading preferences evolve and change but there are definitely books that we keep coming back to time and again. The thought of certain books fill us with nostalgia and we wish we could read them again, for the first time. Out of all the books I’ve read over the years, if I were forced to pick only five these would probably be it. 

The Island of the Missing Trees by Elif Shafak

This is a beautiful love story narrated in two timelines—one in the 2010s London following 16-year-old Ada Kazantzakis, and the other in the 1970s Cyprus, following her parents Defne and Kostas. One of the narrators is a fig tree that lived in the middle of a tavern in Cyprus before Kostas took a cutting and planted it in his and Defne’s garden in London. As Ada narrates her story of loss and grief and explores her cultural roots, the fit tree fills in the gaps, offering insights into the character’s past and history. The writing is beautiful and concise and believe me, you will never look at a tree in the same way again.  

Where the Crawdads Sing by Delia Owens

A coming-of-age story of a girl named Kya Clark who lives alone in a shack in the swamplands of North Carolina after being abandoned by her family, ‘Where the Crawdads Sing’ is a fascinating read. Owens is a retired wildlife biologist and she intersperses the story with a lot of information about nature’s various elements, blurring the line between fiction and non-fiction in places. Set in the 1950s and 1960s, the story begins with a body being discovered in the swamp and alternates between the past and the present. Kya is a lovely character, even though she’s a bit aloof and might appear strange at times. You will be rooting for her throughout. 

A Man Called Ove by Fredrik Backman

This book made me laugh. It made me cry. I bought multiple copies of it to give to people I love. It’s basically a story about a 59-year-old Swedish widower called Ove who repeatedly tries and fails to kill himself. Ove comes across as cantankerous but between his attempts to die, you see him take flowers to his wife’s grave and tell her that he misses her. He takes his pregnant neighbor to the hospital and even babysits their kids. He does not do it with a smile on his face but you can see that beyond the grumpy facade, there’s a kind man. You also get a taste of urban Swedish life and how immigration is slowly changing the landscape there, much like everywhere else. It’s a beautiful book because it teaches you to love life despite the many issues that inevitably arise. 

Roar by Cecelia Ahern

I have to admit that I wasn’t particularly interested in reading this book when a friend gifted it to me. I assumed it would be sappy and silly as I wasn’t a fan of Ahern’s fiction. But I couldn’t have been more wrong. Roar, a collection of 30 stories about women from different walks of life, is one of the most uplifting and inspiring books I have read. The feminist stories have traces of magical realism and science fiction. The writing is okay but the stories are relatable and highly imaginative. Based on women’s experiences that are almost always shoved under the carpet, the stories leave a lasting impact. I would recommend you to read a story or two at a time and let their message sink in before moving on. 

The Stationery Shop of Tehran by Marjan Kamali

Roya and Bahman are in love. They get engaged but then the coup happens in Tehran and they get separated. Roya is devastated and leaves for California where she meets Walter and gets married. But she can never forget Bahman and this dictates her entire life. ‘The Stationery Shop of Tehran’ is essentially a love story but it’s also a story about a woman’s strength to overcome life’s challenges. It’s sad at times, hopeful at places, and fills you with a strange kind of yearning. If you like historical fiction and romance, you will love ‘The Stationery Shop of Tehran’.

I have to confess that I wasn’t a fan of ‘The Hunger Games’ series by Suzzane Collins when it first came out in 2008. I read it because everyone was reading and talking about it. But since I wasn’t interested in dystopian settings, I didn’t get as hooked as perhaps the rest of the world. 

I read the second part ‘Catching Fire’ as I wanted to know what would happen to Katniss Everdeen, the protagonist, after she won the games but by the third book ‘Mockingjay’, I had lost all interest.

To be honest, I didn’t read ‘The Ballad of Songbirds and Snakes’ that came out in 2020 so even I was surprised when I picked up ‘Sunrise on the Reaping’ that came out early this year. It was part the hype surrounding the book and part this acceptance of dystopian novels post Covid-19 which had made the impossible seem possible. 

For those of you who don’t know what the Hunger Games is about (and I’m pretty sure there aren’t very many), it’s a dystopian novel about this place where the Capitol controls all the other districts in the area. Many years ago, frustrated with the Capitol’s oppressive regime, the 12 districts rose against it. There was a civil war in which the districts lost. Since then, as a form of punishment, the Capitol takes two ‘tributes’, a boy and a girl, from each district to participate in what they call the hunger games. Out of 24 participants, only one remains in the end. The blood bath that ensues in the artificially constructed arena where everything is under the control of the game makers is shown on TV. 

Sunrise on the Reaping follows Haymitch Abernathy, who features heavily in the original Hunger Games trilogy as Katniss and Peeta’s mentor. As the only surviving victor from District 12, he is tasked with mentoring the tributes from his district but he is perpetually drunk and lost in his own world. However, his sharp mind and cunning skills prove to be crucial in ensuring the tribute’s survival in the arena. Though you will initially dislike him in the Hunger Games, he is a character who will slowly grow on you. Sunrise on the Reaping gives his backstory and you get to find out why Haymitch is the way he is. You will come to empathize with him.

But you can read the book as a standalone book or even if you have forgotten much of what happens in the Hunger Games trilogy. In district 12, on the day of the 50th annual Hunger Games, Haymitch Abernathy tries not to think too hard about his chances as that year twice as many tributes are being taken. He just wants to make it through the day and be with Lenore Dove, the girl he loves and wants to spend the rest of his life with. He truly believes he will beat the odds. But Haymitch’s name gets called in the reaping and he finds himself torn apart from his family—his mother and younger brother, and his love. He is transported to the Capitol with three other district 12 tributes—a young girl he considers his sister, an oddsmaker, and the girl Lenore dislikes the most. 

Even before the games begin, the people at the Capital and especially President Snow take an instant dislike to him. Haymitch soon realizes that he has been set up to fail from the start and that they are going to do everything to take him out as early and as brutally as possible once he enters the arena. But something in him wants to fight, and to show the Capitol people that the tributes aren’t just mere pawns.

I breezed through the book as I simply couldn’t put it down. It’s fast paced and the characters are beautifully developed. You even come to care about a character that appears for a really short time and has perhaps been implanted by the Capitol to spy on Haymitch. We learn a lot about Haymitch in the third part of the series ‘Mockingjay’ and those who haven’t read Sunrise on the Reaping might wonder what new this book has to offer. But there are so many layers to his story and how he won the games that you will be missing out if you don’t read this gem of a novel that keeps you on the edge of your seat all throughout. 

If you haven’t read the series then this book could actually even be a great introduction to it. I’m tempted to read the Hunger Games again after having read Sunrise on the Reaping because I’ve forgotten much of what’s in it and also because I feel I’ll look at the characters and the story from a fresh perspective. I hadn’t enjoyed them very much when I first read it but now I’ve a feeling that I will as I’m quite invested in the plot and care deeply about the district tributes whoever they might be. President Snow might just be my most hated person at the moment. What I mean by that is, in my head, I seem to be largely living in the world the author has built.

The book also deals with themes like political propaganda and the gap between the haves and the have-nots, making it a thought-provoking read as well. I’ve given it a five out of five stars and can’t stop thinking about it. It’s every bit as wonderful as the internet (especially all the BookTubers) is making it out to be. 

Dystopia

Sunrise on the Reaping

Suzanne Collins

Publisher: Scholastic Press

Published: 2025

Pages: 382, Hardcover

Price: Rs 1918

Many of us have a problem saying no to people. It makes us uncomfortable. Sometimes we have to explain ourselves or make elaborate excuses. So, we end up saying yes to things we would rather not be a part of. I guess it’s one of the most common human conditions—one that we would like to correct but find ourselves unable to most of the time. 

I’m horrible at saying no to people. My default response is always a ‘sure’ or an ‘okay’ even as my mind is screaming otherwise. I don’t want to disappoint people or come across as someone who is difficult. But saying yes doesn’t always guarantee I will follow through on my promises. I will often skip lunches and invites despite having said yes to them. I’ll find ways to back out last minute and feel relieved when someone cancels engagements I’ve agreed to be a part of. I realize if I could only say no to things I don’t feel like doing, I don’t have to be unnecessarily stressed out or eventually do things half heartedly. 

I always vow to do better—to speak my mind and turn down offers I’m not interested in. I’m envious of people who can say no. Every year, it’s one of my top five resolutions. I’m trying to learn how to say no without offending people. But it’s not an easy thing. Whenever I say no (or try to say no) I can clearly see the hurt on the other person’s face and I start to explain myself, sometimes even making up stories as I go. I hate myself for it. But I fall into the trap every single time. 

I have a few friends, colleagues, and mentors who can say no politely and with ease. One thing they all seem to have in common is clearly sorted priorities. They know they won’t be able to give time to certain things and have no qualms about rejecting those offers. I have spoken to a few of them and they have all maintained that how the other person feels isn’t in their control. The best they can do is be direct and clearly state where they stand. It prevents future misunderstandings and complications, they say. 

I have said yes to things that I’ve had to cancel at the last minute and this is even worse than not being able to say no in the first place. I realize it makes me lose face and people aren’t likely to take my words seriously in the future. I can’t remember the number of times I’ve said yes to invitations and engagements knowing full well that I might not be able to make it and then regretted it later. 

I’ve also had people say yes to me only to disappear at the last minute. Once a senior female journalist agreed to participate in a roundtable event I was organizing for research purposes. She even confirmed a week before the discussion. Then she wouldn’t pick up her phone or respond to texts a day prior to the event. I know she wasn’t ill or had had no emergencies and could have responded to the calls and texts as she was out and about town. Some people I knew had even caught up with her for coffee and chitchat. 

Needless to say, I hated being on the receiving end of this kind of unprofessional behavior and I wondered how many times I might have disappointed people in a similar fashion. I would like to say that I’ve always made it a point to cancel if I wouldn’t be able to do something I had said yes to but I must have pulled the disappearing act too a few times when it has been too awkward to cancel. 

This one incident has made me think deeply and seriously about the importance and perhaps kindness of saying no rather than saying yes to seem amicable and nice and then later backing out. Though initially alarming, it gives the other person clarity on where things stand. It’s a nicer thing to do for the sake of the other person and also a kind thing to do for yourself. You will feel better about yourself and won’t be stressed. 

Saying no takes practice and it’s not something I hope to achieve overnight or through resolutions but to start with I’m definitely going to force myself to speak my mind instead of saying yes to everything that comes my way. 

One of my colleagues told me a great way to start saying no is to tell people you will think it through when they ask you something and not give an immediate answer. This allows you space to gather your thoughts and give a dignified answer without offending anyone or without having to compromise. 

Poetry can feel a little intimidating but there are some hacks if you want to get into it: Read poems out loud. Read them repeatedly. Let the words take space in your head. Over time, you will definitely come to enjoy reading poems and will find that they make sense as well, sometimes even resonating more than well-written prose by your favorite author.

I was petrified of poems and was relieved that I wouldn’t have to read them once they weren’t prescribed syllabus. But once I was out of college, I started picking up random poetry books of my own volition. One of the earliest works I read were some Nepali poems and those by Maya Angelou. I have to admit that not everything made sense but I enjoyed how I felt reading the words till they eventually fell into place. Slowly, I started picking up more poetry books as I could quickly read one or two even during busy days. I would carry a book of poetry in my bag and dip into it whenever I had some time. 

Over the years, I have amassed quite a few volumes of poetry. Gulzar, Rumi, Keats—I have tried to read widely and find what suits my taste. Not everything makes sense immediately but I’m not as intimidated by poems as I once was. I recently picked up ‘The Poetry Pharmacy’ by Willian Sieghart and the book goes everywhere with me. It’s on my bedside table at night. I carry it in my bag. I read a random page whenever I can and somehow whatever I read resonates deeply.The Poetry Pharmacy proclaims to be tried-and-true prescriptions for the heart, mind, and soul. And it indeed is. From mental and emotional wellbeing to love and loss, there are poems in this slim volume for all kinds of ailments. 

The idea of the poetry pharmacy came into being many years ago when Sieghart was asked to prescribe poems from one of his books to the audience during a literary festival in England. What was supposed to be an hour long affair turned into a several hours long event. People queued up to be prescribed a poem that would fix whatever was weighing down their hearts. Sieghart realized that “suffering is the access point to poetry for a lot of people: that’s when they open their ears, hearts, and minds.”

In the introduction to the book, he says sometimes the right words when people are in need can bring great comfort and that creates a love for poetry that can last a lifetime. He urges readers not to worry about their ability to read a poem and to try and read the same poem every night for five nights in a row when it doesn’t make sense. “Keep it by your bed and read it before you switch out the lights,” he says. That’s what I have been doing with The Poetry Pharmacy and the poems in the book have, in many ways, been a soothing balm just when I have needed it. 

Poems like ‘If’ by Rudyard Kipling and ‘Still I Rise’ by Maya Angelou are two of my favorites that fill me with hope. There are many other poems ‘New Every Morning’ by Susan Coolige that has been prescribed for compulsive behavior, ‘The Mistake’ by James Fenton prescribed to get over regret and self-loathing, and ‘Come to the Edge’ by Christopher Logue that can fix lack of courage that feel like big, enveloping hugs that you didn’t know you needed. There’s a poem titled ‘Chemotherapy’ by Julia Darling that I must urge everyone to read. Cancer is unfortunately becoming something we are all dealing with on a personal level: perhaps we have gone through it ourselves or seen a loved one suffer. This poem reminds us that life can’t be made inconsequential by illness and that small pleasures can bring a lot of comfort in the darkest of times. 

The Poetry Pharmacy brings together some of the best poems by poets who understand the human conditions all too well. The book’s layout is such that it has Sieghart’s ‘prescriptions’ on one side and the poem on the other page. His explanations or ‘editorials’ are every bit as uplifting as the poems he prescribes. The book is a complication of 56 universal problems. Read it cover to cover or dip in and out whenever you want to, this brilliant book of poems is guaranteed to be a lifesaver.

The Poetry Pharmacy

William Sieghart

Published: 2017

Publisher: Particular Books, Penguin Random House UK

Pages: 151, Hardcover

Banana Yoshimoto is the pen name of the author Mahoko Yoshimoto whose father is a famous poet in Japan. I picked up her collection of short stories titled ‘Dead-End Memories’ earlier this year because I was fascinated by the name and also because if I come across a collection of short stories by an author I haven’t read I will definitely pick it up. I had enjoyed the collection of stories about women, who after some painful event in their lives, find comfort in small moments of everyday life. 

I wanted to read more of her works which is why I picked up ‘Kitchen’ during a recent trip to the bookstore. I have been having a reading slump of sorts again and I thought this slim book would be just perfect to get over it. Kitchen comprises two classic tales about mothers, kitchens, love, and tragedy. It was published in 1987 and won two of Ja[an’s most prestigious literary prizes. 

‘The place I like the best in the world is the kitchen’ reads the first line of the book and I was hooked. Throughout the book, you return to the kitchen again and again. It’s almost like the kitchen is the main character. Mirage Sakurai, the protagonist of the slim novel, loves the kitchen. It’s where she finds comfort. But the story isn’t about kitchens or cooking. It’s basically about Mikage’s life, her grief and her sorrows and how she deals with them. 

Mikage lives with her grandmother. Her parents died when she was a young girl. When her grandmother passes away, she finds herself suddenly alone and unable to figure out the ways of the world. Yuichi, someone her grandmother knew, invites her for dinner and then to stay with his family until she finds her footing. There she meets Eriko, Yuichi’s father-turned-mother. The rest of the novel is a story of the three of them and what happens when their lives intertwine. 

Kitchen is a lovely story of finding comfort in unlikely places and the strength you draw from other people’s stories and lives. The writing is smooth and you can probably read the book in one sitting but you also want to take things slow and savor the story. The book deals heavily with loss, loneliness, and mourning but it’s also a hopeful story. You feel sad but you are waiting for the light to appear and things to change. It’s exactly how life feels like and reading the book makes you marvel at the fragility and beauty of life. 

The second story in the book, ‘Moonlight Shadow’ is a shorter read than the titular one. But it’s engaging and surreal. It tells the story of Satsuki, who lost her boyfriend in an accident. Her boyfriend’s brother Hiiragi also lost his girlfriend in the same accident. It’s once again a story about loss and grief, much like Kitchen but it focuses more on getting closure from a relationship before being able to move on in life. Even though it’s shorter than Kitchen, the characters are more fleshed out and the story felt more real despite the magical realism element to it. 

I enjoyed Yoshimoto’s short story collection but I would definitely recommend those reading her for the first time to start with Kitchen first as it’s simple yet thought-provoking. 

Kitchen

Banana Yoshimoto

Translated from the Japanese by Meghan Backus

Published: 1994

Publisher: Faber & Faber Limited

Pages: 150, paperback