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Everest is not only the tallest mountain in the world but also has great sanctity. But this sanctity is being defiled. Every year, during the expedition season, around 700 climbers and guides spend nearly two months atop Ever­est. When they climb down, they leave behind large amounts of feces, urine and other pollutants. Such pollutants are piling up in areas above 5,000 meters. At the base camps, wastes are collected in drums, and disposed of when the drums are full. But, from 5,300 meters on, there are no toilets and human waste is directly deposited in the snow. New climbers report that the route to the top of Everest is not just crowded but terri­bly polluted too. The area is covered with empty oxygen cylinders, food wrappers, broken tents, batteries, mountain gears and other accesso­ries including clothes and backpacks of climbers and guides.

Worse still, there are around 200 dead bodies in Everest, including that of George Mallory after his disappearance in 1924. Pollution in Everest is a threat to human civilization too, as the whole Himalayan range including Everest is a source of fresh water for South Asia and beyond.

However, there are still those who argue that survival of the climbers and supporting staff in a ‘death zone’, coupled with supporting the local economy, should be the first priority, while bringing back the abandoned moun­taineering gears should be a distant second priority.

There have been some efforts to clean up Everest. But they are inadequate to deal with the scale of the pollution on such a harsh terrain. Dawa Steven Sherpa and his clean-up team, the Sagarmatha Pollution Control Committee and Tara Air have been carrying out Everest clean-up expeditions on their own. Likewise, the govern­ment has obliged the climbers to bring back the garbage in order to get their deposits back. But, again, such efforts, even though made in good faith, are not enough.

In the absence of effective monitoring, government actions are no more than rituals as the focus is still on generating more revenue, as if Everest is a cow that can be milked endlessly.

The first thing we should do is reduce excessive commercialization of Everest and preserve its sanc­tity. The flow of climbers cannot continue indefinitely unless we clean up our mountains. Everest should be a perennial source of income for Nepali tourism, not a short-lived tourism product. This is why our primary focus should be on promoting expeditions that produce less pollutants.

For this, wind power can be harnessed in Everest so that the climbers need not carry cooking gas. Likewise, the climbers can be encouraged to carry solar panels with them, for cooking and other purposes.

But the focus right now should be on removing garbage from Everest through innovative ideas. Recent­ly, the International Climbing and Mountaineering Federation (better known by its French acronym UIAA) has given some financial support to a project designed to produce gas from human waste on Everest. The next step could be fixing sim­ple ropes at certain locations with which to send down garbage to the base camps. Such innovative, and mass-scale, measures are desper­ately needed.

By Dr Ganesh Gurung

The author is a former member of the National Planning Commission and currently an advisor to Nepal mountaineering Association (NMA)

Najir Hussain, who has acted in various Nepali movies like Bir Bikram, Hostel Returns, Punte Parade, etc, is back in theater with his debut directorial venture ‘The Ugly Duckling’. Khan previously performed as a theater actor and has featured in over 20 plays.‘The Ugly Duckling’ is a fairy tale by Danish poet and author Hans Christian Andersen, who is best known for writing children’s sto­ries. Andersen’s stories like the ‘The Princess and the Pea’ and ‘The Ugly Duckling’ are classics of the genre.

The Ugly Duckling is about a jour­ney of a bird that differs in appear­ance from others in its flock, which makes it an outcast. Confused about its identity, the ugly duckling goes through a difficult phase. But with hope and self-belief, it eventually overcomes the hardship and discov­ers its inner beauty. The play depicts the ways in which people tend to discriminate against those who are different to them. It’s a timeless theme, so although the original sto­ry was written in 1843, the contem­porary audience can easily relate to the plot.

The cast includes Hussain, Bikram Shrestha, Milan Karki, Vijaya Karki, Binita Gurung and Kiran Shrestha. The play is being staged at Mandala Theater in Anamnagar and will run till June 3. The showtime is 5:30 pm every day of the week (except Mondays). There is an extra show on Saturdays at 1 pm. APEX BUREAU

Written in 1900 and first debuting in 1901 at the Moscow Art Theatre, Three Sisters has since been performed in various coun­tries with local adaptations. Penned by the renowned Rus­sian author and playwright Anton Chekhov, Three Sis­ters is among his most famous plays along with the likes of The Cherry Orchard, The Seagull and Uncle Vanya. ‘Tin Bahini’, the Nepali adaptation of the play, is scripted by Meghraj Adhikari and directed by Ghanshyam Shrestha.

Maya, Aabha and Rina are three sisters who leave the capital when their father, a military personnel, gets trans­ferred. The three sisters lead quiet, seemingly purpose­less lives. But their lives are thrown into disarray when their only brother Dipak Jung marries Nikita, a rural girl. Nitika, whose lifestyle and worldview are completely different from those of the sisters, disrupts the family dynamics with her bossy and manipulative character.

Although there are no dras­tic events in this play, the char­acters do have to endure many of the life’s more familiar vicis­situdes, making the play both poignant and relatable.

The cast includes Shanti Giri, Shushma Koirala, Sunisa Bajgai, Shyam Khadka, Shree Om Rodan, Ghimire Yuvaraj, Jiban Baral, Bikash Joshi, Arjun Neupane, Anna Deuja, Suresh GC, Asmita Khanal, Amul Shrestha and Shulabh Pandey.

The play is being staged at Shilpi Theater in Battisputali till May 26. The showtime is 5:30 pm every day of the week except on Tuesdays. There is an extra show on Saturdays at 1 pm. APEX BUREAU  

Nepal’s first international franchise singing reality show—Nepal Idol Sea­son 1—was a rollercoaster ride, from being everyone’s favorite one moment to being a topic of controversy in another. Nepal Idol is gearing up for the second season of its musi­cal journey. In fact, the audi­tion for Season 2 was com­pleted this month.

“Fewer people came to the audition this year compared to last year,” says Suresh Pau­del, the director and project head of Nepal Idol. “But those who did come were genuine singers,” he added. Suresh Paudel took up the direction of Season 2 after Laxman Pau­del decided to part ways with AP1 HD television.

Overall, various changes were made in this season of Nepal Idol.

“This season we decided to award talented signers a Golden Microphone during the audition itself. The con­testants the judges deemed competent enough to appear directly in the gala round were given the green light. Four contestants received the Golden Microphone in the audition round. Each of them is fantastic,” he shared.

Further, the judges’ author­ity was also changed. Last sea­son, only the voters had the right to decide a contestant’s fate, but from this season, there is an equal distribution of authority between the judges and the voters.

In the first season, a lawsuit was filed against Nepal Idol for airing a ‘No elimination’ episode in which the elimina­tion of a particular contestant was postponed for a week. Paudel attributes the error to many people not knowing the format, but he believes that the situation has changed now. As Freemantle Media has given various rights to Nepal Idol this year, the viewers will get to see new twists and turns such as ‘Double Elimination’, ‘No Elimination’ and a sur­prise wild card entry.

Talking about the contro­versy on social media last year when Nepal Idol failed to broadcast the live telecast of the Grand Finale in Qatar, Paudel accepts the mistake.

“We had planned every­thing but perhaps we weren’t professional enough,” says Paudel. Explaining the prob­lem, he says that the plan was to bring DSMG—Satellite broadcasting device for live transmission—via Dubai. But due to the Saudi-led blockade on Qatar, the Dubai authori­ties didn’t cooperate.

“So we decided to broadcast the event via the internet. But on the day, thousands of peo­ple came, and the signal of the tower was divided. It weak­ened the internet strength and caused a failure in live trans­mission.”

“We failed to anticipate the problem. Everything seemed to falling apart at the same time,” says Paudel. “The venue was miles away from the city. We tried getting a dedicated signal, but it just wasn’t possible in the short time we had.”

The Season 2 of Nepal Idol is set to air on July 26 with hosts Reema Bishwokarma and Asif Shah. The judge trio are Indira Joshi, Kali Prasad Baskota and Nhyoo Bajracharya.

“We will from now on hold the Grand Finale right here in Nepal,” says Paudel