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Nawaraj Parajuli is really a magician, who “loves playing with words and making my emo­tions come to life”. Famous for his emotive ‘kavita con­certs’ that he performs around the world, Parajuli’s book of poems ‘Sagarmathako Gahi­rai’ was in awarded one of the most prestigious awards in Nepali Literature, the Pad­mashree in 2017. The winner of All Nepali Slam Poetry 2014 was also nominated for Madan Puraskar for the aforemen­tioned book. Parajuli initially came to Kathmandu to establish him­self as an English professor, but his career took a differ­ent turn when he discov­ered his passion for poetry and his ability to play with words. Thus, after getting his Masters in English in 2014, he emerged himself in literature and poetry.

Even though he is a Nepali poet, Parajuli has a fascinating English accent.

“The poems that I write describe me but mostly my poetry is about empathy,” he says. Quoting his favorite book, Big Magic, Parajuli says that ideas are living souls who come to you: “I do not go to poetry, poetry comes to me.” He takes a deep breath and smiles. “I know it sounds stu­pid but when I get an idea for my writing I get this tick­lish feeling like a huge black ant has walked past my feet. I record whatever comes to my mind at that time.”

Recalling his past, Parajuli talks about how poetry helped him realize his dream of paying back the one rupee that his father had given him when he was a kid. “The amount I had earned never seemed enough to repay my father. I always thought I will make more. But when I even­tually handed him one lakh [rupees] in return for that one rupee, his eyes welled up. I thought at the time, all my struggles had been worth it,” he says.

It was Parajuli who started the culture of ‘kavita con­certs’ whereby poems are performed to live music. The blend of his verses with the sound of the flute playing in the background is “like sal­vation”. He has toured the world performing poems in Europe, Australia, Middle East and South Asia. In this way he has taken Nepali literature to the international community.

Parajuli is also a theater artist associated with The­ater Village and has already performed a rendition of ‘Hamlet’ at the International Theater Festival in Pakistan in 2017 and Tagore’s ‘Malini’ in Germany and Belgium. “Unfortunately I’ve not been able to perform here in Nepal but I really look forward to it,” says Parajuli.

Often you cannot explain poetry and Parajuli is a master at playing with the minds of the audience. “Once a guest left when I was performing. Generally, I would have taken it as an insult, but I found out he had left because my poetry had him in tears and he could not handle it anymore.” According to Parajuli, there is no better feeling than seeing his audience lose themselves in his poems.

Celebrated in and out of the country, Parajuli is a symbol of hope for the youth who want to pursue art. As of now, there are only a few people who take up literature as a career, and even among them, poets are rare. “I just wish that there were more people in this field, those our upcoming generation of poets and writers could look up to,” says Parajuli. 

Pictures by Pritam Chhetri 

Established in 1956, the American Women of Nepal (AWON) library, was for long the favorite haunt of booklovers in Kathmandu. One of the earliest public libraries in Nepal, it nurtured generations of book-readers.

 
AWON’s popularity started to somewhat decline with easier availability of English books in Nepali markets. Moreover, all the classics could now be downloaded for free from the internet. But it was the 2015 earthquake that literally shook the foundation of AWON library. 

Following the earthquake, it had to shift from its two-story spacious location in Kupondole, opposite Hotel Himalaya, to a small corner of the Rotary Building in Tripureshwor. While in Kupondole the library used to see hundreds of visitors a day, in the new locale hardly 20 people come visit, even on Saturdays. Many are unaware of the new location. But even for those who make it to the Rotary building, finding the book they are looking for can be tough.   

“Most of the books are not indexed and arranged properly, and readers can find themselves at total loss,” says Sanjay Lamichhane who has been coming to AWON for ten years. 

“We lost many machines such as barcode readers and computers in the earthquake and the subsequent transfer of books,” says Padam Acharya, a volunteer at AWON. “It is thus difficult for us to keep track of books.” 

A group of girls from the Rato Bangla School hostel are among a handful of people who do visit the library frequently but they too have several complaints. “The library is so dirty, there is dust everywhere,” says one. Another girl says that there aren’t enough chairs and tables to accommodate all of them and they have to sit on the floor, which is seldom cleaned. Another visitor, Manoj Pant, says, “The library also does not have backup power, which can be a problem during power cuts.”

According to Acharya, the volunteer, there is an acute shortage of space. There isn’t much space for bookshelves and all the donated books are stacked randomly. Moreover, fewer and fewer volunteers are coming. “The number of volunteers that we receive has almost halved,” says Acharya, “making it difficult to index the books and 
place them right.” 

Despite these problems the visitors did point to several good points about AWON library. Lamichhane says non-fiction section is still well-equipped, and that this is still best library in town. Ujjwal Shrestha, a social studies teacher at GEMS school, agrees, and recommends the library for people of all ages. 

The RBS students were of the view that in order to boost its popularity the library could invite prominent authors to come and speak. Manoj Pant suggests coordinating with local clubs and NGOs to bring in volunteers and to raise money for machinery. One thing is certain: only extensive cooperation among book lovers from all walks of life will save this landmark library.

Although 3D printing tech­nologies emerged in 1980s and became commercially available during the mid- 2000s, it first came to Nepal almost a decade later, when Zener technologies intro­duced an FDM printer in late 2016. To date, no other type of 3D printer has been intro­duced in Nepal. And we have already been able to achieve some feats with the primitive 3D printing technology.

“3D printing is still in its infancy in Nepal,” says Ram Chandra Nepal, Zener’s co-founder. “Its use is mostly limited to processes where precision and detail are vital, like prototyping of new products, creating architec­tural models, making master­pieces for metal, and making customized items”.

3D printing has been used by various researchers in Nepal. According to Ram Chandra Nepal, 3D printing is being used by organizations and institutes like Kathmandu University, Nepal Commu­nitere, the robotics club at the IoE in Pulchowk, Field Ready, and the Center for Molecu­lar Dynamics Nepal (CMDN). Recently CMDN had utilized 3D printing technology to develop a prosthetic arm for Sabita Thapa, who had lost both her arms when she acci­dently touched an electrically charged iron rod.

Developing a customized prosthetic arm would have been a tiresome process without 3D printing. “3D printing has also been used extensively in the Nepal Tiger Genome Project to track the whereabouts of individual tigers,” says Saman Pradhan, a research associate at CMDN. Field Ready, an organization focused on providing human­itarian support, has taken the initiative of using 3D printers to help earthquake victims.

There are several imped­iments to greater commer­cial use of 3D printing in Nepal. First, at present even the cheapest printers cost Rs 40,000, a sum that is still beyond most Nepalis. Second, the plastic filaments, the material used for the most common 3D printers, are also expensive. Lastly, with approximately 80 3D printers already in its kitty, the government does not seem to see much potential in 3D printing.

But the future may be rosier. “The whole world is explor­ing 3D printing and Nepal cannot afford to lag behind,” says Ram Chandra Nepal. He thinks it is doubly important for the country, which is vul­nerable to natural calamities like earthquakes and land­slides, to invest in 3D printing as it comes very handy during these emergencies.

The Polish art exhibi­tion at the Nepal Art Council, Babarmahal offers a novel experience for art lovers. The exhibit fea­tures polish art and includes posters made by the polish painter Lech Majewski. This art exhibition continues till August 30, and the posters can be viewed between 10:30 am and 5:30 pm in the first floor of the building.

“The contrast between the colors, and the abundance of words, are what makes the posters in this exhibi­tion unique,” says Kastuv Tuladhar, a visitor. “There is modern art vibe to these posters but unlike other pieces of modern art, they seem imbued with definite meaning,” says Man Raj Pandey, another visitor. There were similar positive responses from other visitors to the exhibition as well.

The posters span various fields, from a simple one showing a person slipping on a banana peel, to the more complex poster featuring eyes staring in different directions. This is an art exhibition you should not miss.