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‘Death and Awareness’ by Dr Mohan Prasad Joshi contains one hundred poems that worship awareness, and invoke death to teach the mystery of mindful living. In every poem, one can symbolize that a deep-meditative sage, who has acknowledged his future way precisely, is inspecting every incident consciously. It would not be an exaggeration to say that the book is a collection of hymns of awakened spirits that establishes the correlation between awareness and death. As many poems are enriched with philosophies, a reader needs a philosophic mindset to comprehend them.

The poet believes that theories and techniques bring no peace but create an illusion in the minds. The reality/ truth that we call is the immediacy of the moment. True awareness is when we look at ourselves inward and realize we are inhaling and exhaling. It is an actual self-realization. This miracle can happen unknowingly anywhere, but we should sense it. The days we decide to listen to the true self, we feel we are living our purpose and honoring our true nature. ‘You are two sides’ and ‘Rise’ are some of the prominent poems that expound awareness significantly. 

The poet says that we should live in the present and know ourselves. Each day upon waking we have a choice to be human beings or to be a caterpillar. Humans should not get jailed by the past and haunted by the ghost-like future. He believes blissfulness and the feeling of godliness are always in the present. Even enlightenment is in the present because enlightenment is not the goal. He further supposes that life is a false dream. As Heraclitus says ‘No man ever steps in the same river twice, for it is not the same river and he is not the same man,’ one cannot live in the moment twice. 

Once this acceptance arises in the heart, it becomes clear that living in the past and the future is a huge mistake. The poems ‘Why Wait,’ ‘Rise,’ ‘This and next rock n Roll’ and ‘Live Fully while Alive’ are prominent poems under the philosophic realm of living in the present.

Human beings have millions of possibilities. The poet believes our physical existence is a mysterious gateway that can transcend ourselves. In his words, ‘just like dispersed pollen makes thousands of flowers bloom, we have those potentials too.’ However, we are in such a hurry that we have already missed the opportunities to sense them. Being shielded by our materialistic virtue, we all want one another upon the achievement of one. This has pushed us into the vicious cycle of craving. He believes that to let our potential bloom, it needs adequate space. 

Thus, we must evade our endless thirst to see a new version of ourselves. That is the true purpose of human beings in the world, and we also have this possibility. Poems ‘Expound a new definition,’ ‘Antivirus Thoughts’ and ‘Miles and Miles’ are some of the poems under this theme.

Everything in the universe is a Guru because one can learn something from it. For example, the Shrimad Bhagavat narrates the story of the deity Dattatreya who accumulated knowledge from the 24 Gurus. The poet looks upon many things for lessons. The more we subtly observe ourselves, the more we find everything livable. He believes that we all have the same strings despite our different forms that provide a distinguished approach to our journey of awareness. 

Above all, death is a great guru that teaches us the fragility of our existence and helps erase our toxic memories. Some representative poems in this category are ‘Lost my reference Point,’ ‘A River’s Journey,’ ‘Everything is Alive,’ and ‘Despite Differences’ are some of the poems that speak the heart of the poet.

The poet shows a correlation between death and awareness. Death is inevitable, and this is the truth. Many of us are afraid of death. However, he stands out differently in the case of death. The poet is quite conscious of it and asks death to be his friend. He profoundly believes acceptance of death's inevitability leads human beings to consciousness and awareness escorts humans to liberation.  He further writes that death is not that furious, horrible, or dark- ending. 

Death becomes a celebration when there is awareness. We all are in all-time through several memories from many generations in the form of DNA that hurdle our journey of consciousness. Death is the only tool that robustly cleanses and completes us. If one remains awake consistently, s/he will admire that voidness. ‘The Letter from Death,’ ‘The Art of Dying’ and ‘Be Friend of Mine' are prominent examples of glorification of death. 

As a reader, I have found the smooth writing style in poems. He sings the songs of awareness and death with the melodious flute of consciousness. Unlike the contemporary writers and poets, he has a different taste in poetry. He does not have lamentation, grievance, or complaints but has glorification of every little thing. Being inspired by the Samyak view, he accepts the lively grandeur of nature. In some poems, there is the taste of science. It feels like each poem is a masterpiece itself. Overall, the poet is successful in making us wake up from deep sleep transcending our minds.

‘The Himalayan Heads,’ an anthology of Nepali fiction and non-fiction by notable Nepali writers, is for those who wish to get into contemporary modern Nepali literature. Published by the PEN Nepal Chapter, this book is a collection of works by 24 authors, exploring topics ranging from culture to society to politics. 

The fiction section contains eight stories, translated from Nepali to English, by authors, such as Aswini Koirala, Krishna Bajgai, Ram Kumar Pandey, Sushma Chitrakar and Rupsingh Bhandari. The non-fiction section provides readers with an immersive journey through Nepal’s history, geography, philosophy, travelog, memoirs and research penned by 16 talented and versatile writers. 

Bhisma Upreti’s Aysalkyan Imanalieva; Ghanshyam Rajkarnikar's Lumbini: Birth place of Lord Buddha; Lal Bahadur Bhujel's A cherished Audacious Journey of My life; Sushma Acharya's Turning point of Change; Govinda Giri Prerana's A Home in Kathmandu; and Tanka Upreti's The Era of Nandalal are some of the standout works. They capture the essence of the Himalayas with vivid descriptions and insightful narratives on the ground realities, making this book an invaluable resource for anyone interested in contemporary Nepali literature.

From thrilling tales of long expeditions to encounters with local communities, cultural and language barriers, from insightful love affairs to the doctrine of Buddha in the current scenario, the book offers a multifaceted exploration of the human connection to land and culture.

‘The Himalayan Heads’ excels in its portrayal of the Himalayan civilization, Nepali lifestyle, history, and beliefs in the form of both fiction and reality. All the writers skillfully weave together stories of their own inherited society, and marginalized communities, shedding light on their customs, spirituality, and the struggles they face in the face of modernization. The book encourages readers to appreciate the delicate balance between tradition and progress.

All authors’ passion for the subject matter is palpable, creating an immersive reading experience that transports the readers to the heart of Nepal’s majestic landscape and diverse culture. However, it is worth noting that ‘The Himalayan Heads’ may not be appropriate for those seeking an exhaustive academic study despite having ample historical and cultural context. Most of the creations are primarily focused on the author’s personal experiences and observations. 

Overall, ‘The Himalayan Heads’ comprises fiction and nonfiction works that shed light on multiple issues concerning Nepali society. With its engaging narratives and rich cultural insights, the book leaves a lasting impression on its readers. Whether you are an adventure enthusiast, a lover of nature, or simply curious about the doctrine of Buddha, this book will transport you to the roof of the world and ignite a sense of wonder and appreciation for this awe-inspiring region.

The Himalayan Heads

Published by: PEN NEPAL CHAPTER 

Price: Rs 375

Dr Khem K Aryal’s forthcoming short story collection ‘The In-Betweeners’ from Braddock Avenue Books is about the quest of identity pursued by Nepali immigrants who try to fit in the diverse culture of the United States. The characters in the book, especially the generation that migrated, demonstrate a strong sense of belongingness to their native land. They are confused if they should continue living the rest of their lives in the new country or return back to their place of origin. The title is justifiable considering the confusion and dilemma the characters experience while choosing one over the other.

In ‘Laxman Sir in America’ the experience of loss of identity is so bitter that Mr. Laxman, a school teacher back in Nepal plans to return but his wife and children are Americanizing. His personal interest is blocked by realistic day to day familial life. Hence, he is a perfect example of an in-betweener. He longs for respect he had earned back in Nepal but he never gets it. Rather, he is called by the name his American manager keeps. The story also portrays how a diversity visa acts as a channel to achieving the American dream.

Similarly, ‘Lost Country’ demonstrates the inbetweenness of the Nepali family in America. The protagonist is in dilemma whether to take his son to ski, a popular sports activity in the US or to a Nepali school. He takes to the latter and at the end, regrets for not taking to skiing where his colleague, a ski instructor had invited. Caught between Nepali culture, anthems, hymns and Nepali friends who do anything for the US Green Card and on the other hand his present American society, his children who consider themselves American, the narrator is in a perfect space of in-betweenness. He is longing for his past home culture as well as in the present circumstances looking for a Green Card. Hence, in an instance he says he has no country.

‘Rescued’ unfolds the complex side of raising a toddler and feeding him by a busy working father and her working wife. The struggles of a working father feeding a toddler is vividly narrated. The complexity of a modern family in the US where both the husband and wife have to work, leading to troublesome babysitting and raising is relatable to the number of immigrants in the US under student visa schemes. The minor incidents the author has written about baby care sounds realistic and at the same time unpleasant due to emotions they raise.

Filled with humor and farce, ‘Shopping For Glasses’ is Madan Koju’s desperate shopping for glasses in American stores. It deals with the confused state of mind while trying to purchase eye glasses due to unavailability of the typical Nepali size. Eventually, Madan breaks one of the temples of the glass due to a dilemma, only to buy it to repair later, due to the police officers who make approaches to the argument between Madan and his friend Tankraj. The individual feedback that Madan seeks in each store from the salesperson is rejected by the cold consumerist culture of the US

‘Mrs. Sharma’s Halloween’ is about an elderly woman’s first-hand experience of Halloween in the United States, where she gets irritated, shocked and fearful in the beginning looking at the strange ways Halloween is celebrated for nearly a week, hanging black clothes, creating horror-filled images, hanging skeletons and large spider webs and merrymaking with fervor. She repeatedly asks her son to sell the house and change the neighborhood citing the crazy culture and tradition of the neighborhood. Mrs. Sharma, though hates living in the ‘Anakantar’ or remote region and foreign tradition, realizes that they’re linked to her son and daughter-in-law and more importantly to the grandchild who considers himself an American. She compares Halloween to Gaijatra and ultimately asks her son to not sell the house and shows tolerance towards foreign culture. 

‘Election 2017’ is about a young man’s desire to participate in the federal election of Nepal as a candidate of the leftist party. The young man is an ex-Maoist rebel who fought against the authoritative monarchy. He had fled to the United States seeking better opportunities after he realized fighting wars did not benefit him personally. Forthcoming election fever in Nepal grips him and despite his Chinese wife’s defiance, he thinks of joining as a candidate, if not support his ex-colleague. Finally, he gets to know the party gave a candidacy ticket to the similar face who had no vision and whom nobody expected progress. He sends an email to his campaign friends in the US where he writes, ‘Do you still regret leaving Nepal? Do you still have the hope for the country?’ Eventually, he thinks of trying his luck in the forthcoming NRN election.

‘The Lucky Plant’ is about the household rift between the married, yet childless couple. They quarrel over trivial things, specifically over the indoor plants, the Jewel Orchid and the Lucky Bamboo. The male protagonist seems to be a stereotypical male Nepali figure who always looks for reasons they can subjugate and oppress the female counterpart. It was in fact Gorakh’s inability to nurture the Jewel Orchid that his department head had donated which he had bid and won. He blames his wife for not nurturing the Orchid just like her Lucky Bamboo which he hated for its inability to bloom.

Likewise, ‘Thapaliya-Ji The Social Worker’ reveals the fact that the high ranking people of Nepal including the politicians and ministers flee to the United States as the low level workers, with the intention of only securing a visa or settling on the American land. The story also shares the dark sides of a politician regarding how they continue to give mere hopes to people, even in foreign lands. ‘American Son’ is about a road trip a Nepali-American family makes to another Nepali-American friend’s home. However, Vishworaj Pandey’s sixteen year old son doesn't like to go with his Nepali speaking parents as he considers they should be visiting their friends themselves and he should be hanging out with his friends of his generation and interest. The parents take the boy with them on the trip in order to instill some Nepali culture and communicate in Nepal for him to not forget the language completely. The boy creates havoc in the journey talking with parents calling with their first names and talking freely about dating girls including the daughter of his father’s friend. The story is about differences between cultures within a family and the complexities that such differences bring up.

The illegal entrance of a Nepali rising artist in the United States is reflected in ‘Overstayed’. The story chronicles from the present to the past and later in parallel. Jagan Bista, a theater artist, works in a Nepali restaurant located in Los Angeles. The owner, a Nepali businessman, gives Jagan fake hopes of a legal PR Visa which he never works for. He had arrived in the US after accepting the offer of a Nepali director who took 20,000$ to secure his entry in the US citing a musical performance. Jagan gets prepared to join a performance event where the famous faces of Nepali art ranging from Mundrey, with whom he had performed together, Pashupati Sharma and superstars would perform. Jagan had bought the ticket online and confirmed with the owner to leave the restaurant by 6 pm. But the owner came very late at around 8 to replace him which made him disappointed. Finally, he tells the owner that he no longer wants to stay and is planning to return back to Nepal. The final scene is sentimental for he creates a list of returning artists, where he writes his own name at last.

‘The Return’ is a family saga of a Nepali family who have settled in America. The protagonist Dharmaraj spent more than 15 years of his productive life in America and had bought a home and maintained sufficient bank balance for his family, yet deep inside he thought he belonged to Nepal, not America. A rift in the family got intense when he drank and beat his wife and his 18 year old son called the police and he was labeled a domestic abuser. The incident triggered his desire to go back to Nepal, all alone, for which he started hateful conversations with his wife and children. He knew that unless he could create hatred from them towards himself, he could not fulfill his desire to return. Diversity Visa lottery took him there and he worked as a slave for more than 15 years and in between for the sake of raising children and building a home for family, he had quit his desire to return.

‘How Not to Come to America’ is about a fake marriage between cousins for the sake of US citizenship. The story is a representative example of Nepali society as similar paper marriages have been leaked time and again. To put in a nutshell, the stories represent Nepali society, typical lifestyle and thoughts of common Nepali populace. They have also exposed bitter realities of the alluring American dream yet how they are chased by many Nepali people. The other thing is identity. Not all characters are happy with their decision to settle in the US. The book is a fictional, yet realistic documentation and experiences of the Nepali immigrants living in the US.

There are books that make you happy—books that are the equivalent of a warm, comforting hug, stories that make you believe everything will be okay despite the odds. ‘Matilda’ by Roald Dahl is that book for me. This is one of the books, and perhaps the first book, I gravitate towards when I need a little pick me up. 

When I was in school, I got my hands on a tattered copy of Matilda. I had come across it at the Awon library in Kupondole, Lalitpur. I loved it—read it on a balmy Saturday devouring the two Perk chocolate bars that I was allowed on the weekends. I renewed it during my next visit to the library because I couldn’t part with it. 

Soon enough, I bought my copy from Ekta Bookstore in Jawalakhel. At almost Rs 400, it was a pricey book during those days. I’m talking about the 90s here. My parents used to give me money to buy books, mostly the Famous Five or the Secret Seven series by Enid Blyton and the occasional Archie comics. Blyton’s books used to cost around Rs 140, with slimmer volumes priced as low as Rs 98. An Archie comic was Rs 68. So, I had to save up to buy Matilda. I bought one book at the combined cost of several. 

Over the years, I have read Matilda many times. I have bought more copies than I can recollect because I’m always giving them to people. Right now, I have two copies (with different covers) on my bookshelf. Sometimes, I just sit with the book, letting memories of a happier time wash over me. 

Matilda is about a girl named, well, Matilda. She’s a genius. By the age of three, she could do what most adults take a lifetime to learn—take care of herself. By four, her reading list had Hemingway, Dickens, and Orwell among many other prolific, highly celebrated authors. But Mr and Mrs Wormwood, Matilda’s parents, think she’s a nuisance. They think she should watch more TV and read fewer books. Her school principal, Miss Trunchbull, is another terror who despises children. But Matilda isn’t an ordinary girl. She has a few tricks up her sleeves that just might save her and her amazing teacher, Miss Honey.  

It might seem like a simple story when you first read it. But it’s also a brilliant reminder of what the human mind is capable of and how you can often turn your life around with the right attitude. Peppered with Dahl’s signature wit and Blake’s fun illustrations, Matilda keeps you entertained and allows you to forget your worries for a little while. 

Fiction

Matilda 

Roald Dahl

Illustrated by Quentin Blake

Publisher: Jonathan Cape Ltd 

Published: 1988

Pages: 232, Paperback